As another ball drops in Times Square later tonight, its artistic twin (of sorts) sits in Madison Square Park. Mesmerizing and delighting viewers, the thirty-foot tall illuminated Buckyball sculpture changes color moment to moment in an open space just within view of the Empire State and Flatiron Buildings. Lounge chairs surround the artwork allowing visitors to sit and interact with the ever-changing light show. Buckyball is made from a larger (twenty foot diameter) three-dimensional molecule form comprised of hexagons and attached to other hexagons of the same size by a common side. Inside, lies a smaller (ten foot diameter) identical and self-similar version of the shape based on geodesic figures and domes made famous by Buckminster "Bucky" Fuller. More about the artist, Leo Villareal, the mathematics, and scientific concepts behind the artwork can be found at the Park's website.
Monday, December 31, 2012
Tuesday, December 25, 2012
Monday, December 24, 2012
Where can you see Santa (with all of his reindeer), cherubs, unicorns, Cinderella (complete with carriage, horsemen, and pink horses), Marilyn Monroe, Cher, Diana Ross, Superman, Michael Jackson, Disney figures, glitzy Bob Mackie-style gowns, religious figurines, body guards, AND a manger scene all together on the same gold-leafed, rococo-style, columned stage?
This time of year neighbors often try to outdo each other when it comes to the holiday decorating, there's nothing like the "Christmas House" in the Bronx. It's a cross between Disney World, a wax museum, the Grammys, the Oscars, and the Radio City Christmas Show. Even during the summer months, if you're driving down Pelham Parkway, you'll first be distracted by the house's garish pink color. At this time of year, you'll also notice the extra spotlights and activity; like some kind of party is going on. Then you'll notice the crowds. You'll be forced to turn the car around and see this up close for yourself.
The delightfully tacky display with its own Yelp review page and website has been a Bronx tradition for about 40 years since 1973 when the Garabedian family experienced a Christmas Eve miracle which they vowed to keep as a family secret. A blurb in the New York Times tried to get to the root of it, but the family will not discuss it. The Garabedians have been decorating their cotton-candy colored home this way ever since as a way to say thanks and "give back" to their community. It's a full time project with new ideas and new figures (almost 200) appearing annually. If you look closely, it was even a backdrop for Mariah Carey's "All I Want for Christmas Is You" video.
Great care is taken with the mannequins and gowns. The extensive arrangement is dismantled nightly, and covered during inclement weather. As I was taking these photos, various family members were unwrapping the moving mannequins, replacing them after a night of indoor storage, straightening their gowns, and quaffing their wigs and furs. "I'm So Excited" by the Pointer Sisters and other lively music blares into the otherwise silent night. Passers-by continuously take in the strange and overwhelming scene. What is this all about? The son of the family explained that it's a party, a party of the utmost celebration and importance. As he pointed to the manger scene on the roof, "it's a very special birthday party, not just for celebrities, but for everyone. Everyone is invited."
Monday, December 17, 2012
Wednesday, December 12, 2012
The magic of the holidays in Manhattan has begun. Come hither, and peek behind the curtain into Bergdorf's cabinet of fabulosities....
The girl with the wild eyes and her poodle act (left); and
the guardian of the miniature mannequins (right).
Composed of different "acts" this year's theme was Vaudeville shows and performers of the 1930s and the Art Deco era. Bergdorf Goodman never disappoints when it comes to their holiday windows. Never. Always over the top and full of visual drama, this is what a storefront in New York City during the holiday season should be.
Icy glass reflections of the Jazz Age.
An odd couple out for a night at the theater.
I can't say that for all of them this year though. The windows at Bloomingdale's featured these odd microscopic dolls in a setting with a lot of spare space. Only after seeing an ad on television with similar imagery, did I figure out that there was a Cirque du Soleil theme. Tiffany's was equally disappointing with staid dollhouse-looking rooms. They were nicely done, but didn't grab me. Maybe it's the economic environment, but shoppers and tourists alike need something to lift their spirits. Even in bleak times, people come to New York to see a spectacle. Overall, Fifth Avenue let me down this year. (I haven't made it to Macy's or Lord & Taylor yet.)
Feathers and crystalline light of the Roaring 20s.
The finesse and flair of the visual department is evident by the birds' eye perspective of these bawdy ladies enjoying music and playing instruments in this black and white window.
But wait....there's more!
Barneys opted for the easy way out this year- a video in collaboration with Disney called "Electric Holiday". It is a loop of the story of Minnie Mouse's love for a Lanvin dress with a side ruffle (a girl after my own heart). She becomes bewitched by the dress and consumed in a starstruck Parisian Fashion Week daydream featuring stylish heavyweights like Lady Gaga, Daphne Guinness, Sarah Jessica Parker, Lanvin designer Alber Elbaz, and other well-known stylists, designers, photographers, and magazine editors.
In a clever merge of haute couture with adorableness, Minnie's dream continues with familiar and beloved Disney characters elongated for the Paris catwalk. The crowd on the sidewalk in front of Barneys cheered with laughter at an expressionless Goofy in his hipster gear as he marched to the hypnotic electronic beat. In the end, Minnie gets a surprise Christmas gift from her longtime beau, Mickey - guess what was in the big box?! It was disappointing that Barneys didn't have their usual window outlandishness, but the animation and story line were really cute.
Anthropologie's usual stunning displays made from simple, everyday objects and materials.
The Saks windows tell the story of the deconstruction of snowflakes and the science behind them. The bulk of the display consisted of lame kinetic figures. I've honestly seen better moving figures on front lawns in the outer boroughs and suburbs. By far, the most appealing part was the kaleidoscope imagery above and the digital chalkboard-like drawing of the reindeer below.
Bendel's celebrates with a golden Miss New Year floating from the rafters in a giant glass of champagne.
Happy 2013, everyone!